Learn the Who's Who & What's What
in the Professional Film & Television Editorial Process in Our FREE Mini-Course
Become a Professional Assistant Film & Television Editor
You might be a self-taught filmmaker, fresh out of film school, or you may have even landed your very first job. Whatever your situation, becoming a highly skilled assistant editor is a proven path to unlocking your future career as an editor of feature films & television.
WHAT YOU'LL LEARN
During this FREE, 12-Part Mini-Course, you'll learn:
- SECTION 1: What the Assistant Editor Needs to Know Before They Begin.
- Lesson 1 - Before Production Begins
- Lesson 2 - Knowing Your Non-Linear Editing Software
- Lesson 3 - Project Organization
- SECTION 2: The Assistant Editor Workflow
- Lesson 1 - Prepping Dailies
- Lesson 2 - Tracking Metadata
- Lesson 3 - Building Reels
- Lesson 4 - Temp Sound & VFX
- Lesson 5 - Outputs
- SECTION: 3 Working Relationships & Being Part of a Team
- Lesson 1 - Supporting your Editor
- Lesson 2 - Editing Diplomacy
- Lesson 3 - Working with Team Members
- Lesson 4 - Networking
For those who want to become a PRO Film & Television Assistant Editor this MINI COURSE is a series of conversations based on our flagship course, Feature Film Assistant Editor Immersion. It's presented by Lawrence Jordan & Richard Sanchez, professional film editors and co-creators of Master The Workflow.
MEET YOUR HOSTS
Lawrence Jordan, ACE
Lawrence Jordan is an Emmy & ACE Eddie nominated feature film and television editor who has worked on over 50 feature films and television shows and is the co-creator of Master The Workflow. As one of the earliest adopters of digital, non-linear editing, he helped lay the groundwork for the modern editorial workflow. He is currently completing the independent feature film Filthy Animals.
MEET YOUR HOSTS
Richard Sanchez
Richard Sanchez works as both a visual effects editor and an assistant editor. He's assisted on the films, Suicide Squad Robin Hood and Naked, and on the television series Table 19, The Good Place and UFO Hunters. More recently he was the visual effects editor on Hulu's Catch-22 and Bill & Ted Face The Music. He is currently working on the series Sweet Tooth for Netflix.
